Gayle Kennedy: Norah and Mavis are artists from Yuendumu. Mavis’s portrait is called 'The Purple House'. Her friend, Norah Nelson, who has since passed away says, with permission:
Norah Nelson: ‘I came here in the year 2000. When I was really sick. I was in the hospital. I had diabetic and kidney problems. 8 months in the hospital. I didn’t know that I was really sick. Then I went to Renal. I am all right here. I come to the purple house, sit down and talk about my kidney and that I might be feeling sick or sometimes good. I am happy with the kidney I got. I am happy. I am all right staying like that. I done a painting in Darwin Court House. It’s on the floor where everyone sees it.’
Hetti Perkins: End stage renal disease is endemic in remote parts of Australia. For many people they must choose to leave their families and country and dislocate to regional centres to receive treatment or die prematurely. Dialysis treatment is a commitment of three days each week for the rest of your life... Sitting in a clinic while a machine cleans your blood. Life is about loss and waiting. In 2000 a group of Pintupi people from the Western desert of the Northern Territory painted pictures to raise money to change this bleak future for their family members. They raised over one million Australian dollars and started their own health service to get dialysis out bush, in community that could honour cultural priorities. Western Desert Nganampa Walytja Palyantjaku Tjutaku Aboriginal Corporation was born. At the time, my father Charles Perkins, who was a patron of the Western Desert Dialysis Appeal led by the Papunya Tula Artists, said ‘it’s not only about saving lives, it’s about saving a way of life’. People have been getting home and having dialysis in their communities for 9 years now. But more and more people are needing dialysis and it hard for them to get support from governments to keep people at home, on Country. The dialysis patients and their families continue to raise money themselves and engage with the Australian community with their inspiring story of great determination, compassion and hope.
Gayle Kennedy: Thank you to Hetti Perkins who is a Eastern Arrernte and Kalkadoon Woman Hetti is the resident curator at Bangarra Dance Theatre and the Creative Director of the Festival, Corroboree Sydney.